{"id":16046,"date":"2018-06-04T16:00:58","date_gmt":"2018-06-04T05:00:58","guid":{"rendered":"http:\/\/imaginarydiocese.org\/bishopjohn\/?p=16046"},"modified":"2018-06-04T16:00:58","modified_gmt":"2018-06-04T05:00:58","slug":"mr-eternity-book-review","status":"publish","type":"post","link":"http:\/\/imaginarydiocese.org\/bishopjohn\/2018\/06\/04\/mr-eternity-book-review\/","title":{"rendered":"‘Mr Eternity’ – Book Review"},"content":{"rendered":"

\"\"<\/a>\u2018Mr Eternity: The Story of Arthur Stace\u2019 by Roy Williams with Elizabeth Meyers, Acorn Press, Sydney 2017<\/strong><\/p>\n

\u2018Eternity\u2019, Arthur Stace\u2019s copperplate script graffiti, continues to fascinate people in contemporary Australia, long after his death in 1967. However, not all aspects of this famous Australian are viewed positively.<\/p>\n

\u201cWe generally do not like religion in this town (Sydney), are hostile to God-botherers<\/em> and wowsers<\/em> and bible-bashers<\/em>. We could not like Arthur because he was \u2018saved\u2019, hell no! We like him because he was a drunk, a ratbag, an outcast. He was his own man, a slave to no one on this earth.\u201d (Author Peter Carey)<\/p>\n

So, who was Arthur Stace? The biography, \u2018Mr Eternity\u2019, provides many answers.<\/p>\n

Arthur Stace, \u2018using chalk or crayon every day for almost 35 years\u2019, wrote a one word message: \u2018Eternity\u2019. He wrote throughout NSW on footpaths, railway stations, anywhere and everywhere \u2013 \u2018perhaps half a million times in all\u2019, including on the Sydney GPO\u2019s main bell! Indeed, he was a \u2019God-botherer\u2019 \u2013 his motivation and message came from God. It is also true that for decades he was a drunk and a criminal.<\/p>\n

Arthur Stace\u2019s criminal activity seemed to be the inevitable outcome of a life formed in a dysfunctional family of alcohol fuelled violence. Born in 1885, even as a young child he relieved poverty by petty theft. Abandoned by her husband, Stace\u2019s despairing mother handed the children over to institutional care. The teenage Stace found that work in a coal mine gave access to alcohol. He became a \u2018mean drunkard\u2019 and increasingly \u2018abandoned himself to the (Sydney) underworld\u2019.<\/p>\n

Trauma, following service in the trenches of the 1st<\/sup> World War, contributed to Stace\u2019s periodic arrests for drunkenness, although by the 1920\u2019s he no longer engaged in Sydney\u2019s underworld. The Great Depression resulted in mass unemployment. In 1930 a down-and-out Arthur Stace attended a meeting in St Barnabas Broadway\u2019s School Hall for \u2018a cuppa tea and a rock cake\u2019. He heard the Rector R.B.S. Hammond speak of Christ and in the ensuing 37 years Stace would say, \u201cI went to the meeting for a rock cake and came out with the Rock of Ages\u201d.<\/p>\n

Stace\u2019s life was transformed by Christ. He gave up alcohol. He joined in the mission of St Barnabas\u2019 Broadway assisting to rehabilitate lives broken by unemployment, poverty, alcohol and war service. Thus commitment to their welfare now featured throughout the rest of his life. He was 45 years of age when he became a Christian. If he was once a slave to alcohol and criminal conduct, he continued a slave, but \u2018a slave to no one on this earth\u2019, rather a slave to Someone who created this earth.<\/p>\n

In 1932, two years after his conversion, Arthur heard Baptist preacher John Ridley conclude a sermon, \u201cEternity! Eternity! I wish that I could sound that word to everyone on the streets of Sydney. . . .Where will you spend eternity?\u201d In Arthur\u2019s own words he \u201cfelt a powerful call from the Lord to write \u2018Eternity\u2019. I had a piece of chalk in my pocket and, outside the church, I bent down there and wrote it.\u201d \u2018Eternity\u2019, chalked in copperplate script, would become our nation\u2019s most viewed graffiti.<\/p>\n

An intriguing aspect of this graffiti ministry is the hiddenness for two decades of the artist\u2019s identity. Only the intervention of Baptist Pastor Lisle Thompson in 1956 caused Arthur Stace at the age of 70 to reveal his identity via the Sydney Morning Herald as \u2019Mr Eternity\u2019. This resulted in even more opportunities for the septuagenarian to share of his conversion to Christ and the resulting radical transformation in his life.<\/p>\n

Arthur Stace\u2019s dual commitment to welfare work and evangelism is an important aspect of this biography. His own experience of degradation, and then transformation through following Christ, fuelled his life\u2019s calling. His skill and humour in handling interjectors during his open-air preaching was noted. His \u2018inimitable style\u2019 made him a sought after speaker. A local newspaper announced his visit, \u2018Domain \u201cDeadbeat\u201d to Preacher\u2019!<\/p>\n

The various characters and their ongoing roles in Arthur\u2019s life are well fleshed out. It was the Revd Hammond\u2019s sermon that God used to awaken faith in Arthur Stace. Hammond\u2019s influence and friendship were long-lasting and it was he who conducted the marriage service of Arthur Stace and Ellen Esther Pearl Dawson at St Barnabas\u2019 Broadway in 1942.<\/p>\n

Arthur and Pearl met as volunteers in a city soup kitchen. Pearl was a decade younger than Arthur and, interestingly, it was she who proposed to him! They are buried together in the Botany cemetery, their headstone reading \u201cRewarded and rejoicing in the presence of their Lord.\u201d The footstone is engraved with one word in copperplate. You guessed it, \u2018Eternity\u2019!<\/p>\n

\u2018Mr Eternity\u2019 is an easy and fascinating read: a fine gift and an encouragement to faithful preachers!<\/p>\n

This book review was published in the April 2018 edition of The Melbourne Anglican<\/a>, here<\/a>.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u2018Mr Eternity: The Story of Arthur Stace\u2019 by Roy Williams with Elizabeth Meyers, Acorn Press, Sydney 2017 \u2018Eternity\u2019, Arthur Stace\u2019s copperplate script graffiti, continues to fascinate people in contemporary Australia, long after his death in 1967. However, not all aspects … Continue reading →<\/span><\/a><\/p>\n","protected":false},"author":3,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":[],"categories":[5],"tags":[],"_links":{"self":[{"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/posts\/16046"}],"collection":[{"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/users\/3"}],"replies":[{"embeddable":true,"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/comments?post=16046"}],"version-history":[{"count":4,"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/posts\/16046\/revisions"}],"predecessor-version":[{"id":16063,"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/posts\/16046\/revisions\/16063"}],"wp:attachment":[{"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/media?parent=16046"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/categories?post=16046"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/imaginarydiocese.org\/bishopjohn\/wp-json\/wp\/v2\/tags?post=16046"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}